In recent years we’ve seen the video production industry adopt larger format imager cameras to give their productions more cinematic images. The Canon DSLRs were at the forefront of this revolution, and although these cameras produced beautiful images, they were by no means production friendly. More recently, camera manufacturers such as Canon and Sony melded these large imagers into easy to use video cameras such as the Canon C300, Sony FS700, and Sony PMW-F5. These cameras afford their operators tools such as professional audio XLR inputs, zebras, waveform monitors, reliable video outputs and all the other necessities an operator is accustomed to.
Looking forward to the future, we see companies like Fujinon releasing lenses such as the Cabrio Zoom Lenses, the highest quality cinema lenses with a servo grip traditionally seen on B4 mount ENG lenses. Sony has just announced a B4 mount lens adapter for use on the PMW-F5, unlocking a wealth of possibilities for portability and ease of use with out an entire camera crew required. Zeiss is following up the success of their interchangeable mount Compact Primes and Compact Zooms with the new 15-30mm T2.9 wide angle Compact Zoom, offering beautiful images in a compact, lightweight lens. ARRI, having had great success with their ALEXA camera, just announced the new AMIRA camera, aimed at ENG and documentary productions. Innovations such as these are propelling the ENG market and cinema markets together to form new hybrid cameras that show case the best of both worlds. Tell us what you think about all these exciting new innovations, and as always, come stop by Picture This to take a look at the most cutting edge technology available on the market today.